An intoxicating blend of rare flavours is what makes the new transitional typeface Wermut (German for vermouth) resemble its alcoholic namesake. Bitter and thorny at first glance, it proceeds to surprise the palate with a complicated taste that leaves a pleasant aftertaste. Wermut may not be taken in hastily, but needs to be thoughtfully enjoyed at a measured pace. Its dark colour, compressed, spring-like, shapes, well-built proportions, and agreeable letterforms all look safe enough until one is jolted to encounter the clipped serifs that lend the page an unexpectedly edgy appearance.

Designed by Slava Kirilenko & Gayaneh Bagdasaryan.

Aeroport is a new typeface in the spirit of both German geometric sans serifs and Swiss neogrotesques. Its deliberately wide proportions and relatively short capitals account for the excellent way the type carries the line. Its short ascenders and descenders allow for very tight leading. 

Designed by Slava Kirilenko & Gayaneh Bagdasaryan.

Font Shop. Best of 2017 – Sans.

Antonym Typeface. Coming Soon.

Nolde capitals are available in two weights: regular and outline, and support over 60 languages that employ Latin and Cyrillic scripts.

Designed by Slava Kirilenko & Gayaneh Bagdasaryan.

Gerbera is a new sans-serif with a distinct personality that fuses geometric and organic elements. It is at once hip and quaint, clear yet idiosyncratic, restrained but sensual. Its deliberately varied classical capital proportions and geometric structure are balanced by slightly reversed stress and pinched terminals on curved strokes. The 1050 glyphs support 71 languages.

Designed by Slava Kirilenko & Gayaneh Bagdasaryan.

Typejournal. The Best Cyrillic Typefaces 2014.

Format 186x260 mm, 56 page.

Formular comes in six weights with corresponding italics and a monospace companion to the regular weight. Each weight includes special extra-light punctuation, lining tabular and old style figures, case-sensitive punctuation, and stylistic alternates.

Designed by Slava Kirilenko & Gayaneh Bagdasaryan.

Typejournal. The Best Cyrillic Typefaces 2014.

Format 145x210 mm, 24 page.

Bitum is a new sans that defies conventional classification, with nods to such disparate references as early geometric sans serifs and modular lettering used in wayfinding signage. The former influences lend sheer energy of breaking new ground while the latter supply industrial pragmatism and uniform proportions.

Designed by Slava Kirilenko & Gayaneh Bagdasaryan.

Format 160x230 mm, 94 page.

“Étage Magazine” is a culture and informational periodical edition created with high esteem towards both its readers and heroes. This magazine covers processes in the world of arts, culture, design, science and architecture from a root idea to a final embodiment and describes every stage: source of inspiration, personal convictions, techniques, made decisions, challenges, discoveries, fresh approaches and ultimate outcomes. “Étage Magazine” has determined its core values – quality, profoundness and palate, it conveys unobvious without any distortions.

TDC 64 Certificate of Typographic Excellence.

Geometria is a new geometric sans serif. It consists of 16 fonts — eight weights with matching italics. The font includes multiple sets of figures and currency signs, alternate glyphs, a variety of experimental ligatures, and punctuation marks for the two cases. The 815 glyphs support 71 languages.

Designed by Slava Kirilenko & Gayaneh Bagdasaryan.

Granshan 2013 award.

Typejournal. The Best Cyrillic Typefaces 2013.

Format 116x190 mm, 56 page printed 1 colour.

Institut is an industrial-strength display face, with a no-nonsense feel of a research lab and audacity of a space mission control. Based on assertive geometric forms, it is suitable for a varietyof on-screen and print uses.

Typejournal. The Best Cyrillic Typefaces 2013.